The star of architecture Tadao Ando

Published on : 13/10/2023
by : S.V.

L'architecte Tadao Ando
© Nicole ollin, travail personnel, wikimedias (CC 4.0)

Tadao Andô, itinerary of a self-taught architect

From the boxing ring to the most prestigious international architecture prize, this is the extraordinary career of Japanese architect Tadao Ando.

An atypical career

As he likes to say, Tadao Ando is entirely self-taught. A former professional boxer with no architecture degree, he now belongs to the very select caste of "starchitects". He has completed over 300 architectural projects around the world since he started out in Osaka in 1969.

Born in Osaka in 1941, Ando was raised by his grandmother. As a teenager, he spent his days in craftsmen's workshops (carpenters, joiners, ironworkers and glassmakers), where he developed a taste for architecture and design. He also enjoys wandering the streets of Osaka in search of old buildings to study. Thus began his informal apprenticeship in architecture.

Once he had hung up his boxing gloves, at around the age of 24, he began working in furniture design, interior architecture and house renovation. He bought second-hand architecture textbooks, in which he discovered the works of Le Corbusier. Particularly impressed by the French architect's work, he embarked on a long and formative artistic journey to, he says: "visit the buildings that inspire me, to experience their spaces and remember them with my body". Between 1962 and 1969, he travelled the world to see great architectural masterpieces and perfect his self-training. It was also an opportunity for him to appreciate Le Corbusier's achievements in Paris and Marseille, and the Cistercian abbeys of southern France.

International recognition

On his return to Osaka in 1969, he founded his own firm and began building small detached houses in the early 1970s.

One of his first projects, the Azuma house in the Sumiyoshi district, established him as an architect to watch. Made entirely of concrete, it occupies a tiny space between traditional-style houses. Ando took advantage of the narrowness of the site to design a house with a blind façade and an interior courtyard space, enabling its occupants to escape the urban madness. Completed in 1976, it was awarded the Japan Architecture Institute Prize in 1979. In 1982, Tadao Ando bought the house that had made him such a success. Since then, it has been the headquarters of his architectural practice.

The 1990s were synonymous with consecration. He designed the Japanese pavilion at the 1992 Universal Exhibition in Seville, the most talked-about and most-visited pavilion. The world's greatest museums were already devoting major retrospectives to his work: New York's MOMA in 1991 and the Centre Georges Pompidou in 1993. After receiving the prestigious Pritzker Prize in 1995, he was appointed full professor at Tokyo University, him, the self-taught architect!

azuma-house-tadao-ando — Azuma House (1976), Osaka
© Oiuysdfg, wikimedias (CC 3.0)

What is Tadao Ando's style?

Simple geometric forms

Using a minimal vocabulary of shapes (circle, square, rectangle...) and a reduced palette of materials, his style is immediately recognizable. With his economy of means and stripped-down style, Ando is in keeping with a certain Japanese tradition, while also drawing inspiration from the Western styles of Le Corbusier, Bauhaus and American architect Louis Kahn.

Smooth concrete

Ando has a predilection for concrete, whose appearance changes over time and catches the light. Paying particular attention to detail, he has taken his quest for refinement to the extreme by developing his own concrete formula. Although left raw, his concrete is smooth and delicate, resembling brushed or brush-varnished concrete.

Architecture as a place of refuge

Tadao Ando's buildings are conceived as havens of peace, in camera against urban chaos. The built space is an architectural refuge from the urban public space. That's why many of Ando's homes are organized around an interior courtyard that lets in light and creates a protective cocoon.

Integrating natural elements (water, light)

Ando uses natural elements as architectural elements in their own right. In his Church of Light, built in 1989 in Ibaraki, where the sun streams into the building through a cross-shaped opening, it is light that materializes the sacred quality of the place. A remarkable example of harmony between a natural element and concrete architecture.

Bourse du Commerce in Paris, designed by Tadao Ando
© Marsumilae, Unsplash

The Church of Light in Ibaraki by Tadao Ando
© Bergmann, wikimedias (CC 3.0)

Also read : Incredible Japanese houses

The island of Naoshima marked by Ando

In the architect's impressive career, Naoshima Island, the island dedicated to contemporary art, is his flagship project. Naoshima was originally one of the industrial islands in the Seto Inland Sea. Due to deindustrialization, the future art island was quite deserted before it became the tourist success it is today.

In 1989, Sôichirô Fukutake, president of the Benesse company and initiator of the island museum, commissioned Ando to build Benesse House. This hotel-museum is a unique site offering spectacular views of the sea and surrounding volcanic islands.

In the 2000s, he designed two other museums on the island: the Chichu Art Museum and the Lee U-fan Museum. The creation of his own museum on Naoshima, the Ando Museum, is a further sign of his intimate relationship with the place: he is Naoshima's architect. In 2025, he created the Naoshima New Museum of Art, this time showcasing contemporary Asian artists.

Discover our Inland Sea Art & Architecture tour!

Benesse House Park, designed by Tadao Ando in Naoshima
© 663highland, wikimedias

Benesse House Museum designed by Tadao Ando, Naoshima
© 663highland, wikimedias

Entrance to the Tadao Ando-designed Chichu Museum in Naoshima
© 663highland, wikimedias

Tadao Ando's other unmissable works in Japan

Among 300 architectural achievements in some 50 countries, it's hard to choose just a few. However, Japan Experience offers you a small selection of the master's works in the archipelago. Our choice is guided by one essential criterion: accessibility to the public, so that you can discover these sites from every angle!